Elemental Music releases Bill Evans In Norway: The Kongsberg Concert available as an exclusive 2-LP set on RSD Black Friday, November 29. The album will be available as a deluxe CD version on December 6.
21
Dec
[ December 21th, 2023 release on Pyroclastic Records: Bertoia Sound Sculptures + 12 Master Improvisors = Sculpting Sound ]
Pyroclastic Records presents Sculpting Sound, a groundbreaking collection of six once-in-a-lifetime performances bringing together twelve master improvisers with the sound sculptures of visionary artist Harry Bertoia
These captivating performances, available on the Winter Solstice, December 21, 2023 via SculptingSound.org, feature Nels Cline, Ben Monder, Ambrose Akinmusire, Nate Wooley, Ingrid Laubrock, JD Allen, Jen Shyu, Brandon Seabrook, Marcus Gilmore, Dan Weiss, Kris Davis and Craig Taborn
01
May
[ May the 6th, 2022 release on Pyroclastic Records: Ches Smith Quartet – Interpret It Well ]
release date: 06.05.2022 on Pyroclastic Records
★★★★ “Every track has an architecture, a flow, a journey, a story…again and again one can admire and be touched by the ability of all four of these musicians to make the pacing, the story-telling all feel as natural as breathing.” – Sebastian Scotney, The Arts Desk
“A smartly unruly drummer active in devious art-rock and outsider jazz.” – Nate Chinen, New York Times
“[The] nondescript term ‘drummer’ doesn’t get near the chemistry of earworm hooks, sharp-end jazz innovation and global-musical openness of New York percussionist/composer Ches Smith.” John Fordham, The Guardian
Interpret It Well, the new album featuring drummer/vibraphonist/composer
19
Oct
[ October the 30th, 2020 release via Pyroclastic Records: Junk Magic’s Compass Confusion ]
release date: 30.10.2020 via Pyroclastic Records
“Listen to the transfixing opening cut, ‘Laser Beaming Hearts,’ and in addition to Taborn’s aesthetic kinship with Detroit techno titan Carl Craig, you’ll be reminded of how many hours these improvisers have devoted, separately and in various configurations, to shifting the balance between abstraction and groove.” – Nate Chinen, WBGO
“Collages of dark and dirty parts, musical cast-offs, so to speak, that have been artfully reattached.” — Patrick Sisson, PopMatters
“More rewards await, rich and replete.” — Phil DiPietro, All About Jazz
For more than a decade, Junk Magic has been honing a collective sound that relies on individual expressions, imagination and subversion. Appearing first as a 2004 album title under pianist-composer Craig Taborn’s name, Junk Magic has transitioned into a sonic identity comprising electronic sound design, production techniques and elements of improvised music.