release date: 30.10.2020 via Firehouse 12 Records
“Not only the most distinctive guitarist of her generation – her barbed, warped sound also has few rivals in any other.” – Michael J. West, Washington Post
“When all her influences click into place, the result is like little else, in any genre.” – Seth Colter Walls, Pitchfork
“One of the most distinctive voices in jazz … possessing a slippery tone.” – Chris Barton, LA Times
“Ever since [Halvorson] began recording in the mid-2000s, she’s projected a strikingly personal voice on the electric guitar; you only need to hear a few seconds of her fastidious fingering and extravagant pitch bends to know it’s her….her compositional style, with its intricate melodies and sudden tempo changes, is as distinctive as her playing.” – Bill Meyer, Chicago Reader
“Maybe it’s the weathered grace of Wyatt’s vocals or the astringent lyricism of O’Farrill’s trumpet, but the writing here conveys the quirky charm of Carla Bley’s collaborations with Paul Haines. Except Bley’s keyboards were never as otherworldly as Halvorson‘s guitar.“ – J.D. Considine, DownBeat