02 Feb

[ February 2nd, 2024 release on Pyroclastic Records: Ches Smith – Laugh Ash ]

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Due out February 2, 2024 via Pyroclastic Records, the album features a brilliant ensemble with James Brandon Lewis, Nate Wooley, Anna Webber, Shahzad Ismaily, Oscar Noriega, Shara Lunon, Jennifer Choi, Kyle Armbrust and Michael Nicolas.

“A go-to percussionist for experimental jazz and new-music ensembles, Ches Smith gravitates toward edgy outfits… while displaying a musical personality as detail-oriented as it is sweepingly ornate.” Steve Futterman, The New Yorker

“The nondescript term ‘drummer’ doesn’t get near the chemistry of earworm hooks, sharp-end jazz innovation and global-musical openness of New York percussionist/composer Ches Smith.” John Fordham, The Guardian

21 Oct

[ October the 28th, 2022 release via Pyroclastic Records: Trevor Dunn’s Trio-Convulsant – Séances ]

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Séances, out October 28, 2022 via Pyroclastic Records, features Mary Halvorson, Ches Smith, Anna Webber, Carla Kihlstedt, Mariel Roberts and Oscar Noriega navigating chamber-jazz-metal compositions inspired by the bizarre tales of an 18^th-century French religious sect

“ The music [Trio-Convulsant] play is not so much a fusion of styles as it is a collision of styles… If you’ve been following Trevor Dunn‘s widely varied career as a player, you know he’s got a sense of adventure.” – Sean Westergaard, AllMusic.com

“[Trio-Convulsant] hurtles from heavy to weightless and back again so quickly it’s hard to keep up… [pulling] it off with rare style and impressive improvisational rigor.” – Peter Margasak, Chicago Reader

07 Feb

[ February the 14th release via Libra Records: The Satoko Fujii Orchestra New York – Entity ]

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release date: 14th February 2020

“This big band packs fierce solo power, but Fujii flexes all that muscle masterfully.” ― Tom Hull, The Village Voice

“Balances rousing swing with probing experimentation, updating the big band tradition with inspired verve and an abiding reverence for venerable customs.” ― Troy Collins, All About Jazz

“Interlocking riffs, driving rhythms and a tight band who do full justice to her imaginative conceptions, showing the benefits of a lineup barely changed since their 1997 debut.” ― John Sharpe, The New York City Jazz Record